Francesca Woodman’s most explicitly theatrical work emerges from her final years at the Rhode Island School of Design (RISD) and her subsequent stay in Rome (1979–80). During this time, she moved away from the solitary, spectral self-portraits of her earlier House series (1976–78) and began collaborating with other female figures. Among them was Markéta, a friend and model whose full identity remains obscure—likely a fellow student or expatriate in Rome.
Exploring the Legacy of Woodman Casting: The Case of Marketa B woodman casting marketa b
Introduction
Conclusion
Woodman Casting Market has received numerous awards and recognition for its work, including: Francesca Woodman, Markéta, and the Act of Casting I