In the pantheon of pop music, there are songs, and then there are artifacts. Michael Jackson’s 1983 masterpiece, Billie Jean, falls firmly into the latter category. It is a song so meticulously crafted that it transcends mere listening; it is an exercise in psychoacoustics, paranoia, and groove.
Yamaha CS-80 (Brassy): A softer sawtooth wave resembling a French horn. michael jackson billie jean stems
The foundation of "Billie Jean" is its minimalist but "hypnotic" groove. Deconstructing a Ghost: What the Isolated Stems of