Jahrbücher für Geschichte Osteuropas:  jgo.e-reviews 5 (2015), 3 Rezensionen online / Im Auftrag des Instituts für Ost- und Südosteuropaforschung in Regensburg herausgegeben von Martin Schulze Wessel und Dietmar Neutatz

Verfasst von: Kirsten Bönker

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Bollywood’s primary job is hyper-realistic escapism. For the price of a ticket, a rickshaw puller can sit in an air-conditioned room and watch a billionaire heir fly to Switzerland to sing about the rain. The site of entertainment, therefore, becomes a great equalizer. In the dark, the CEO and the janitor are united by the same rhythmic clap. masala mms site new

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Beyond the Silver Screen: How Bollywood Became the Blueprint for Site Entertainment

In the golden era of Indian cinema, the experience of watching a Bollywood film was ritualistic. You bought a ticket, entered a dark hall, surrendered your senses, and emerged three hours later humming a tune. The site of entertainment was fixed: the cinema hall. Bollywood’s primary job is hyper-realistic escapism

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Challenges

Zitierweise: Kirsten Bönker über: Kristin Roth-Ey: Moscow Prime Time. How the Soviet Union Built the Media Empire that Lost the Cultural Cold War. Ithaca, NY, London: Cornell University Press, 2011. IX, 315 S., Abb. ISBN: 978-0-8014-4874-4, http://www.dokumente.ios-regensburg.de/JGO/erev/Boenker_Roth-Ey_Moscow_Prime_Time.html (Datum des Seitenbesuchs)

© 2015 by Institut für Ost- und Südosteuropastudien in Regensburg and Kirsten Bönker. All rights reserved. This work may be copied and redistributed for non-commercial educational purposes, if permission is granted by the author and usage right holders. For permission please contact jahrbuecher@ios-regensburg.de

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