This paper examines Ken Loach’s 1998 film My Name Is Joe (released 1998 UK; often listed with festival/US dates around 1999–2000), focusing on its representation of working-class life in Glasgow, character study of Joe Kavanagh, social realism techniques, and the film’s reception and cultural impact. I argue that the film revitalizes British social realism by blending intimate melodrama with political consciousness, using naturalistic performances, location cinematography, and community-centered storytelling to critique neoliberal marginalization.
Released on October 24, 2000, "My Name Is Joe" was Joe's major-label debut, following his independent breakthrough with his debut album, "So Far, So Good." Produced by the visionary Polyphonic Spree and No I.D., the album boasted a distinctive sound that blended gritty street sensibilities with a more refined, radio-friendly approach. Joe's lyrics tackled themes of self-discovery, social commentary, and personal struggle, showcasing his storytelling prowess and rapid-fire flow. Joe - My Name Is Joe - 2000 -FLAC- -RLG-
: Joe’s velvety tenor is at its absolute best here. He avoids the "oversinging" traps of the late 90s, opting instead for a laid-back, soulful delivery that echoes legends like Marvin Gaye and Al Green. Production Pedigree Paper: Analysis of "My Name Is Joe" (2000)
CD Joe - My name Is Joe AVCZ95154PROMO Jive 2000 Japan Obi Soul/Funk Origin: Likely from a private music tracker (e
My Name is Joe
℗ 2000 Zomba Recording Corporation © 2000 Zomba Recording Corporation, except track 14 ℗ 1999 Sony Music Entertainment Inc. www.discogs.com When did Joe release My Name Is Joe? - Genius
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