Pehredaar – 2024 – UNRATED: A Critical Examination of Power, Identity, and Technological Mediation in Contemporary Indian Cinema

Abstract

Pehredaar (2024) emerges as a landmark entry in the evolving landscape of Indian genre cinema, melding thriller‑drama with speculative techno‑fantasy. This paper argues that the film functions as a critical site where post‑colonial anxieties, gendered power dynamics, and the politics of surveillance intersect. By foregrounding a protagonist whose agency is mediated through both institutional authority and pervasive digital monitoring, the film interrogates the paradox of empowerment through surveillance. Through a close reading of narrative structure, visual aesthetics, and sound design, the analysis demonstrates how Pehredaar articulates a nuanced critique of contemporary Indian sociopolitical discourses while simultaneously employing mainstream commercial conventions.

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2. Narrative Architecture and Power Relations

2.1 The Protagonist as a “Guardian”
The term pehredaar (guardian) carries colonial legacies of policing and custodianship. The film’s central character, Arjun (played by a rising star), is positioned as a state‑sanctioned protector tasked with overseeing a technologically advanced “Safe‑City” district. Yet his personal motivations—revenge for a familial tragedy—complicate his institutional role, creating a duality that reflects Foucaian notions of power as both repressive and productive.

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